Tuesday, July 16, 2013

V/H/S + V/H/S 2

  The anthology film has been a staple of horror cinema that dates back as far as the 1940's with a slightly earlier and eerier kind of British invasion that came in the form of a little chiller titled The Dead Of Night (1945).  More horror anthology pictures have crept into the public peripheral throughout the years with notable classics such as Mario Bava's Black Sabbath (1963), Trilogy Of Terror, Creepshow, Tales From The Crypt: The Movie, Tales From The Darkside: The Movie, Tales From The Hood, Twilight Zone: The Movie et cetera.  In 2007 a soon-to-be horror anthology sleeper hit, Trick 'R' Treat was born then immediately shelved by distributors due to lack of interest.  In 2009 Trick 'R' Treat was rightfully disinterred and once again re-animated the horror anthology film for younger audiences and elder KVLTIST'S alike.  Fast forward to 2012 and we have V/H/S, in our midst.  It's a retro take on that old horror anthology chestnut and was unleashed upon the world with much internet hype and endless miles of ad campaigns in all of our KVLT-approved horror magazines that promised an experience of genuine terror... and it actually delivered.

  V/H/S blends the recent wave of found footage films with the classic horror anthology seamlessly, creating something that feels new while towing the line of the retro vhs aesthetic into the digital age.  Younger audiences may find this hard to look at, but much like the graininess of horror classics like Night Of The Living Dead and The Texas Chainsaw Massacre, the fuzzy, washed-out-vhs-look only adds another layer of depraved ambiance to the scenes of terror on-screen.  Much like the horror anthology flicks of yesteryear, V/H/S offers a series of seemingly unrelated stories with a wraparound segment to tie it all together.  The KVLT would love to blab about its favorite parts of each individual segment, but half of the fun of V/H/S is in not knowing what's going to happen next and especially its shock and twist endings.  All the KVLT can reveal about V/H/S is that it was made by young and up-and-coming directors of indie horror hits like The Signal, I Sell The Dead, and House Of The Devil and it's one mean-sprited little anthology flick that is guaranteed to leave a slimy coating of real horror residue on the viewers brain that lasts days, even weeks after seeing it.

This will be the last time he ever meets someone who posts in the craiglist personals section. 

  V/H/S 2 once again features the found footage format happened upon by two private investigators who are tracking down a student who has recently gone missing.  Trying to trace the whereabouts of the student through clues left on a laptop and curiously marked vhs tapes the detectives unwittingly unleash a veritable Pandora's Box of malevolent spirits, zombies, bodily mutilation, a suicide KVLT, alien abduction, and a wraparound shock ending that left a grin of satisfaction on this KVLT leaders face as the credits rolled. 

They practice hard year in and year out but just can't seem to get the Olympic Summer Games to approve Russian Roulette as a team event. 

  So dust off what some consider to be a dead format and check out V/H/S and V/H/S 2.  The KVLT's seal of approval comes wholeblackheartedly with both V/H/S installments and do heed the warning of "be kind rewind" or else you just may end up as the victim in/of a segment in V/HS 3.


V/H/S has already been spoofed in a 2013 short called Laserdisk.

Be Kind Rewind Or Die!

Be Kind Rewind Or Die Twice!

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